Book 360-363 - "Four Dangerous Women" - Pulp Fiction Pocket Notebooks - Running Stitch Binding

These little pocket-sized notebooks feature some pulp fiction heroines you Do. Not. Want. To. Mess. With. You're not going to win. That's what I love about them.

After choosing the dangerous women images from my collection, I sized them to fit on 1/4 of a normal sized page. I printed the covers out two to a page, let them sit a few minutes to dry, then sprayed them with a light coat of acrylic sealer to protect the image from scratching. The matte finish photo paper I used is heavy weight and didn't really need a backing to work for the covers.

I scored the spine fold, using three score lines with very small spaces between so I would get a slightly rounded spine to accommodate the thickness of the single signature. I folded the pages and trimmed the single signature to fit then rounded the corners at the fore edge. After nesting the pages inside the folded cover, I poked holes 1/2" apart the whole length of the notebook and sewed it in a running stitch, down the spine then back up again, with white waxed linen thread.

After boning the fold a bit more, I put the little notebook under weight so it would lay more or less flat and closed.

Done. I like these. I'm going to make more. They look good, they are fairly fast to make, the materials cost is low, and I'm certain they will sell.

Book 327 & 328 - "Pooh Times Two" - Two Different Ways to Recycle Pooh Books - Codex & Coptic

My regular followers well know by now my penchant for recycling old books into new journals, especially children's books. This time I've taken on a couple of little Winnie the Pooh books from the 1970s but I've treated them differently.

The first journal/blank book, Christopher Robin Gives Pooh a Party, is a traditional cased-in codex book. A codex is what most people think of when they think "book." It's a hardcover book with a front, back and reinforced spine covered with the cover paper and the stitched book block glued into the prepared cover with end papers.

I stitched the signatures to a piece of mull (a kind of stiffened cheesecloth fabric used by bookmakers). This formed the "hinges" that could be glued under the end papers to hold the block in place.

For the endpapers, I cut illustrations from the original book, taped them together to make them double width, and glued them down over the mull hinges.

When closed, this little journal pools almost exactly like the original book did.

For the second Pooh journal, made from Kanga and Baby Roo Come to the Forest, I used my more usual single-needle coptic stitch binding. After removing the book block and slicing the spine, I removed the spine reinforcement, folded the cut edges back and glued then taped them down. I folded the signatures, punched holes for all the sewing stations and stitched the journal with purple waxed cotton thread.

I used light blue text paper to complement the colors on the cover. For the end papers, I again used illustrations from the original books.

I think either of these little Pooh journals would make a nice "My First Journal" for a young child who likes to write or draw.

Book 316 - Fold-Over Hard Cover Sketchbook - Perfect Binding

I've been meaning to do some sketchbooks with good paper and finally got around to it.

This one has a block of Strathmore sketch paper -- very nice -- that I glued into a perfect bound book block. The covers are made of Davey board and covered with a nice decorative paper with a pattern similar to woodgrain, in a mossy green/brown on ivory. The spine is covered with maroon bookcloth.

I attached the book block to the finished covers so that the front cover can fold back all the way onto the back cover and make a sturdy back for sketching on while holding the book.

If I were the kind of artist that could draw, this is a sketch book I'd like to have with me all the time--to capture those fleeting images that tend to run away if you don't get them down immediately.