I loved "Cabaret" and thought Liza Minelli was simply magic in it. I love the music, too. So I was delighted to find a vinyl album of the show in a thrift shop. It was perfect for one of my vinyl record journals.
I cut the record to size with a band saw and smoothed the edges on a belt sander. I also sanded the fore edge corners of the covers into curves. Then I cut two pieces of the cardboard record jacket for the back cover. On the back is a picture of Liza on top of the word "Cabaret" in red lights. The inside back lining is a black and white picture of her.
For the pages, I used a cream-colored paper with lint flecks, folded into eight signatures. I tipped in bright orange end papers to repeat the orange color from the record label. I also rounded the fore edge corners of the pages to mirror the corves of the covers.
I drilled the stitching holes in the covers and poked holes in the sigs with an awl. The book is bound with a single-needle coptic stitch, also called a chain stitch binding.
This is a great journal, clever and very well made, if I say it who shouldn't.
I'm Donna Meyer and this is a Daily Journal of a Challenge: to make a book a day for a year, to stretch my imagination, creativity, skills and discipline. Inspired by Noah Scalin's Skull-a-Day. Why books? A book can be made of almost anything, and I can stretch its definition. Some will be fancy, skilled and take time. Others will be quick-&-dirty, maybe just images, or ephemeral, disappearing books. Follow along. We'll discover together how to create a book a day for 365 days.
A Book a Day? What's Up With That?
Hi, and welcome to this year-long project. So what's this all about and how did it happen, you might ask. In mid 2007, artist Noah Scalin decided to make a skull out of anything he could find, every day for a year. It stretched him in ways he never imagined, as an artist, a writer and a person. His experience turned into a blog that went viral, and then a book.
Others have picked up on the idea: 365 Hearts, 365 Masks, 365 Bears drawn on a cellphone, 365 paper napkin mustaches.
I wanted to play, too, and I chose books. I love books, I know a bit about making books (thanks to my talented book-maker sister, Marilyn Worrix), and they're broad enough in definition to give me a lot of creative leeway.
The whole point is not really the books. The idea is to stretch myself in many ways as an artist and a person, to set up a discipline, stick with it and see what that teaches me.
I hope you'll join with me and follow along on the journey chronicled here, and let me know what you think.
Showing posts with label vinyl book. Show all posts
Showing posts with label vinyl book. Show all posts
Sunday, January 29, 2012
Sunday, January 15, 2012
Book 324 - Recycled Vinyl Record Journal/Blank Book - Donna Summers - Coptic Binding
Finally Back! I have a pile of books to post now that I have my computer back. The whole thing had to be wiped clean and the OS re-installed, which meant restoring the entire hard drive (thank God for Carbonite online backup) AND reinstalling all the programs, some of which had to be sought and found. Still a few to find and put back on, but at least I can work now.
This book is another journal made from a vintage vinyl album. This one is "Bad Girls" by the '70s queen of disco, Donna Summers.
For the front cover, I cut the record into a rectangle with the band saw, placing the round paper label just off center. For the back cover, I cut an image of Donna Summer from the back of the album, and another piece to line it on the inside. This album had the lyrics of the songs printed on red paper inside, so I cut that to use as end papers.
The signatures are a nice 70 lb. Neenah paper, off-white with flecks like tiny pieces of lint. It has a nice feel. The 8 signatures are stitched with a single-needle coptic stitch binding with black waxed linen thread.
It's really a pretty cool book, if I say it who shouldn't.
This book is another journal made from a vintage vinyl album. This one is "Bad Girls" by the '70s queen of disco, Donna Summers.
For the front cover, I cut the record into a rectangle with the band saw, placing the round paper label just off center. For the back cover, I cut an image of Donna Summer from the back of the album, and another piece to line it on the inside. This album had the lyrics of the songs printed on red paper inside, so I cut that to use as end papers.
The signatures are a nice 70 lb. Neenah paper, off-white with flecks like tiny pieces of lint. It has a nice feel. The 8 signatures are stitched with a single-needle coptic stitch binding with black waxed linen thread.
It's really a pretty cool book, if I say it who shouldn't.
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