I'm Donna Meyer and this is a Daily Journal of a Challenge: to make a book a day for a year, to stretch my imagination, creativity, skills and discipline. Inspired by Noah Scalin's Skull-a-Day. Why books? A book can be made of almost anything, and I can stretch its definition. Some will be fancy, skilled and take time. Others will be quick-&-dirty, maybe just images, or ephemeral, disappearing books. Follow along. We'll discover together how to create a book a day for 365 days.
A Book a Day? What's Up With That?
Hi, and welcome to this year-long project. So what's this all about and how did it happen, you might ask. In mid 2007, artist Noah Scalin decided to make a skull out of anything he could find, every day for a year. It stretched him in ways he never imagined, as an artist, a writer and a person. His experience turned into a blog that went viral, and then a book.
Others have picked up on the idea: 365 Hearts, 365 Masks, 365 Bears drawn on a cellphone, 365 paper napkin mustaches.
I wanted to play, too, and I chose books. I love books, I know a bit about making books (thanks to my talented book-maker sister, Marilyn Worrix), and they're broad enough in definition to give me a lot of creative leeway.
The whole point is not really the books. The idea is to stretch myself in many ways as an artist and a person, to set up a discipline, stick with it and see what that teaches me.
I hope you'll join with me and follow along on the journey chronicled here, and let me know what you think.
Showing posts with label hand bound. Show all posts
Showing posts with label hand bound. Show all posts
Tuesday, January 31, 2012
BOOK 365!!!! A FULL YEAR OF BOOKS!
I did it! This is book 365 in my year-long book-a-day challenge.
OK, I will admit right here that it took me just slightly longer than 365 days. I am 6 days over my exact year. But I am trying to be easy on myself here. I am celebrating anyway. I hope you will celebrate with me.
This final book is a leather journal for my friend Michael (because he called dibs), who I've known for over 40 years. The base leather for the book is a putty-colored cowhide. Around that, I have wrapped another piece of leather that I think is ostrich. I can't be sure because I pulled it unmarked from the scrap bin at the leather store. I saw it an pounced. It's a rich deep purple.
The pages are Neenah Sundance 70 lb paper in crushed cream, a lovely paper for writing or sketching with pencil, pen, ink, markers.
The journal is bound with a long stitch binding (also called a Medieval limp binding) with medium brown waxed cotton thread. It makes an interesting stitch pattern on the spine. The unusual closure is made from a found object I picked up at a flea market. I think it might be some type of faucet handle. A thong of the purple leather ties through it and around the journal to keep it closed.
This is a rich, elegant journal and I hope Michael lives it.
Labels:
365,
artist book,
blank book,
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book arts,
diary,
fat journal,
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hand-made book,
leather journal,
long stitch binding,
medieval limp binding,
sketch book,
travel journal
Book 34 - "Ethan Allen" - Recycled Vintage Book as Journal - Coptic Binding
Book 34?? What's with that? Well, in the wind-up to posting the final couple of books in the year-long challenge, I thought I'd better look back over the whole past year and make sure I hadn't inadvertently skipped any days. And sure enough, way back in February, I just skipped right over a day. So, to be honest with you and myself, I needed to fill in that day.
So, Book 34. Here's another recycled vintage book made into a blank book/journal. I'm not sure of the exact date of this book since there was no copyright or publication date anywhere in the book. But from the cover illustration, I'd put it at about 1900-1910. The strange thing is that the illustration--two boys in sports outfits and gear--has nothing whatever to do with the content of the book, which is a history of Ethan Allen and the Green Mountain Boys of Vermont in the 18th century. Go figure. Maybe it was part of a series for boys and they all had that cover. The condition is pretty good, but there is one spot on the cover that is slightly blistered (where the book cloth has come loose from the board beneath. If I had a fine needle syringe, I could probably shoot a bit of glue underneath and glue it down again.
Since the bright red accents on the cover design stand out so much, I decided to play off that and use red thread for the binding. I also alternated green and red paper tape on the spine folds of the signatures for an attractive pattern on the exposed spine.
It came out looking pretty good.
So, Book 34. Here's another recycled vintage book made into a blank book/journal. I'm not sure of the exact date of this book since there was no copyright or publication date anywhere in the book. But from the cover illustration, I'd put it at about 1900-1910. The strange thing is that the illustration--two boys in sports outfits and gear--has nothing whatever to do with the content of the book, which is a history of Ethan Allen and the Green Mountain Boys of Vermont in the 18th century. Go figure. Maybe it was part of a series for boys and they all had that cover. The condition is pretty good, but there is one spot on the cover that is slightly blistered (where the book cloth has come loose from the board beneath. If I had a fine needle syringe, I could probably shoot a bit of glue underneath and glue it down again.
Since the bright red accents on the cover design stand out so much, I decided to play off that and use red thread for the binding. I also alternated green and red paper tape on the spine folds of the signatures for an attractive pattern on the exposed spine.
It came out looking pretty good.
Labels:
365,
altered book,
artist book,
blank book,
book a day,
book arts,
chain stitch binding,
coptic binding,
hand bound,
handmade book,
journal,
recycled book,
single needle coptic stitch,
upcycled
Monday, January 30, 2012
Book 360-363 - "Four Dangerous Women" - Pulp Fiction Pocket Notebooks - Running Stitch Binding
These little pocket-sized notebooks feature some pulp fiction heroines you Do. Not. Want. To. Mess. With. You're not going to win. That's what I love about them.
After choosing the dangerous women images from my collection, I sized them to fit on 1/4 of a normal sized page. I printed the covers out two to a page, let them sit a few minutes to dry, then sprayed them with a light coat of acrylic sealer to protect the image from scratching. The matte finish photo paper I used is heavy weight and didn't really need a backing to work for the covers.
I scored the spine fold, using three score lines with very small spaces between so I would get a slightly rounded spine to accommodate the thickness of the single signature. I folded the pages and trimmed the single signature to fit then rounded the corners at the fore edge. After nesting the pages inside the folded cover, I poked holes 1/2" apart the whole length of the notebook and sewed it in a running stitch, down the spine then back up again, with white waxed linen thread.
After boning the fold a bit more, I put the little notebook under weight so it would lay more or less flat and closed.
Done. I like these. I'm going to make more. They look good, they are fairly fast to make, the materials cost is low, and I'm certain they will sell.
After choosing the dangerous women images from my collection, I sized them to fit on 1/4 of a normal sized page. I printed the covers out two to a page, let them sit a few minutes to dry, then sprayed them with a light coat of acrylic sealer to protect the image from scratching. The matte finish photo paper I used is heavy weight and didn't really need a backing to work for the covers.
I scored the spine fold, using three score lines with very small spaces between so I would get a slightly rounded spine to accommodate the thickness of the single signature. I folded the pages and trimmed the single signature to fit then rounded the corners at the fore edge. After nesting the pages inside the folded cover, I poked holes 1/2" apart the whole length of the notebook and sewed it in a running stitch, down the spine then back up again, with white waxed linen thread.
After boning the fold a bit more, I put the little notebook under weight so it would lay more or less flat and closed.
Done. I like these. I'm going to make more. They look good, they are fairly fast to make, the materials cost is low, and I'm certain they will sell.
Sunday, January 29, 2012
Book 359 - Recycled Children's Book Journal/Blank Book - Lemony Snicket-Coptic Binding
Have you read any of the Lemony Snicket books? They are a bit bizarre but really fun. And the covers are neat! So, of course, I had to recycled one into a journal/blank book.
This is Book the Second, The Reptile Room. This follows my usual construction procedure with these upcycled hard cover books. The covers were slit and bound, the pages folded and punched, some of the signature fold edges bound with colorful paper tape. This was bound with a single-needle coptic binding using maroon waxed cotton thread.
I included a couple of the original illustrations form the book into the pages. The book's spine became a bookmark.
I'll always be on the lookout for more Lemony Snicket books in good enough condition to recycle/upcycle into fun journals.
This is Book the Second, The Reptile Room. This follows my usual construction procedure with these upcycled hard cover books. The covers were slit and bound, the pages folded and punched, some of the signature fold edges bound with colorful paper tape. This was bound with a single-needle coptic binding using maroon waxed cotton thread.
I included a couple of the original illustrations form the book into the pages. The book's spine became a bookmark.
I'll always be on the lookout for more Lemony Snicket books in good enough condition to recycle/upcycle into fun journals.
Labels:
365,
altered book,
artist book,
blank book,
book a day,
book arts,
chain stitch binding,
coptic binding,
guest book,
hand bound,
hand made book,
journal,
notebook,
recycled book,
upcycled
Book 358 - Vinyl Record Journal - "Cabaret" with Liza Minelli - Coptic Binding
I loved "Cabaret" and thought Liza Minelli was simply magic in it. I love the music, too. So I was delighted to find a vinyl album of the show in a thrift shop. It was perfect for one of my vinyl record journals.
I cut the record to size with a band saw and smoothed the edges on a belt sander. I also sanded the fore edge corners of the covers into curves. Then I cut two pieces of the cardboard record jacket for the back cover. On the back is a picture of Liza on top of the word "Cabaret" in red lights. The inside back lining is a black and white picture of her.
For the pages, I used a cream-colored paper with lint flecks, folded into eight signatures. I tipped in bright orange end papers to repeat the orange color from the record label. I also rounded the fore edge corners of the pages to mirror the corves of the covers.
I drilled the stitching holes in the covers and poked holes in the sigs with an awl. The book is bound with a single-needle coptic stitch, also called a chain stitch binding.
This is a great journal, clever and very well made, if I say it who shouldn't.
I cut the record to size with a band saw and smoothed the edges on a belt sander. I also sanded the fore edge corners of the covers into curves. Then I cut two pieces of the cardboard record jacket for the back cover. On the back is a picture of Liza on top of the word "Cabaret" in red lights. The inside back lining is a black and white picture of her.
For the pages, I used a cream-colored paper with lint flecks, folded into eight signatures. I tipped in bright orange end papers to repeat the orange color from the record label. I also rounded the fore edge corners of the pages to mirror the corves of the covers.
I drilled the stitching holes in the covers and poked holes in the sigs with an awl. The book is bound with a single-needle coptic stitch, also called a chain stitch binding.
This is a great journal, clever and very well made, if I say it who shouldn't.
Book 357 - Western Pulp Fiction - Classic Images Reversible Notebook/Journal
This reversible notebook/journal uses some classic imagery from 1950s pulp western fiction.
I have long loved pulp fiction imagery. It's just so immediate. It pulls you right into the moment of action, like good writing should. So I love using this imagery in my books.
For this 5 1/2" x 8 1/2" notebook/journal, I used two images and I reversed the one on the "back" so that the journal essentially has two fronts. You can use it either way. After printing the double image on heavyweight matte photo paper, I sprayed it with an acrylic surface spray to protect the finish. I needed a slightly rounded spine fold to accommodate the thickness of the two signatures, so I scored the inside center of the cover three times, about 3/16th of an inch apart on each score. Then when I folded it without boning it down hard on the creases, it was a bit rounded
I folded two signatures of 70 lb cream paper and stitched them both through a single set of sewing stations in the spine with a five-hole pamphlet stitch using a heavy waxed linen cord that feels almost like leather. I left the ends of the cord long enough at the center hole that I could wrap it around the book and tie it shut.
Nice notebook for a man, I think.
I have long loved pulp fiction imagery. It's just so immediate. It pulls you right into the moment of action, like good writing should. So I love using this imagery in my books.
For this 5 1/2" x 8 1/2" notebook/journal, I used two images and I reversed the one on the "back" so that the journal essentially has two fronts. You can use it either way. After printing the double image on heavyweight matte photo paper, I sprayed it with an acrylic surface spray to protect the finish. I needed a slightly rounded spine fold to accommodate the thickness of the two signatures, so I scored the inside center of the cover three times, about 3/16th of an inch apart on each score. Then when I folded it without boning it down hard on the creases, it was a bit rounded
I folded two signatures of 70 lb cream paper and stitched them both through a single set of sewing stations in the spine with a five-hole pamphlet stitch using a heavy waxed linen cord that feels almost like leather. I left the ends of the cord long enough at the center hole that I could wrap it around the book and tie it shut.
Nice notebook for a man, I think.
Book 356 - "Motor Boys" Recycled 1906 Book Journal - Coptic Binding
This recycled book journal is made from a fabulous find--a 1906 novel for boys called "The Motor Boys in Mexico" by Clarence Young. It was part of a whole series of books about the Motor Boys, apparently playing off the idea of the then relatively new motor car as a source of adventure. Apparently there were a whole bunch of these series of boys' books--the back pages of this book had ads for many of them. In fact, I liked those pages so much, I incorporated several of the ad pages inside this journal.
As usual, the covers were sliced off the book, the spine carefully removed and the raw edges tape bound. I lightly waxed the cover to preserve and improve its finish--although it is in wonderful condition for being more than a century old. I punched holes for sewing stations, folded sigs and punched holes in those too and covered the spine fold with the same green tape as the spine edge, incorporating a few illustrations and other pages from the original book. The book was bound with a chain stitch binding--a single-needle coptic stitch--with white waxed linen thread.
I made a bookmark from the book's spine by folding back the cut edges and covering the entire backside with green paper tape.
This is really a lovely journal.
As usual, the covers were sliced off the book, the spine carefully removed and the raw edges tape bound. I lightly waxed the cover to preserve and improve its finish--although it is in wonderful condition for being more than a century old. I punched holes for sewing stations, folded sigs and punched holes in those too and covered the spine fold with the same green tape as the spine edge, incorporating a few illustrations and other pages from the original book. The book was bound with a chain stitch binding--a single-needle coptic stitch--with white waxed linen thread.
I made a bookmark from the book's spine by folding back the cut edges and covering the entire backside with green paper tape.
This is really a lovely journal.
Saturday, January 28, 2012
Book 353 - Dick Tracy - Recycled Vintage Book Journal - Coptic Binding
The other day, walking home from the post office, I popped into the antique store across the street to see if they had anything new--well, old, but new to the store. Looking through the racks of vintage books, I struck some gold.
I came home with several treasures to make into recycled book journals. And one of the best was this old Dick Tracy book. Printed in 1943, the novel was based on the square-jawed detective's exploits people already knew from the cartoon strip.
This was a cheap novel in its time and the paper shows it. It was badly discolored and quite brittle. In face, I debated whether or not to include any of the pages from the original book, because of the brittleness of the paper. But the illustrations were just too cool to leave out. I had some text paper almost the same yellow as the unintentionally yellowed original pages, so that became the text block.
The covers were pretty dried out but not badly cracked or scratched, so I went over them with a light rubbing of beeswax to lubricate and seal them then buffed them with a soft cloth till they actually looked not bad at all.
I cut the illustrations from the book as carefully as I could. After cutting off the cover boards, I bound the cut edge with washi tape well boned down. Just for fun and to brighten it up, I used a green and gold diamond pattern tape on the edges and the folds of all the signatures, to be seen at the exposed spine.
The single-needle coptic binding was stitched with black waxed linen thread. The spine of the book became a book mark.
I've been making a lot of these recycled books because I plan to sell them, online and off, after the challenge, and I need to build up some stock, as well as perfecting my technique.
I do think Dick Tracy will sell.
I came home with several treasures to make into recycled book journals. And one of the best was this old Dick Tracy book. Printed in 1943, the novel was based on the square-jawed detective's exploits people already knew from the cartoon strip.
This was a cheap novel in its time and the paper shows it. It was badly discolored and quite brittle. In face, I debated whether or not to include any of the pages from the original book, because of the brittleness of the paper. But the illustrations were just too cool to leave out. I had some text paper almost the same yellow as the unintentionally yellowed original pages, so that became the text block.
The covers were pretty dried out but not badly cracked or scratched, so I went over them with a light rubbing of beeswax to lubricate and seal them then buffed them with a soft cloth till they actually looked not bad at all.
I cut the illustrations from the book as carefully as I could. After cutting off the cover boards, I bound the cut edge with washi tape well boned down. Just for fun and to brighten it up, I used a green and gold diamond pattern tape on the edges and the folds of all the signatures, to be seen at the exposed spine.
The single-needle coptic binding was stitched with black waxed linen thread. The spine of the book became a book mark.
I've been making a lot of these recycled books because I plan to sell them, online and off, after the challenge, and I need to build up some stock, as well as perfecting my technique.
I do think Dick Tracy will sell.
Wednesday, January 25, 2012
Book 341-342 - Six Pack Series - Inning Two - Recycled Beer Packaging Books - Coptic Bindings
Inning 2 in our game of recycled six-pack container books. Today's inning features two blank journals bound with the single-needle coptic stitch binding.
The Alaskan Amber journal was actually the first beer six-pack book I made. I loved the ship graphic (an ice cutter, I assume) and the bright red background. I cut the largest part of the six-pack, the front and back panels, trimmed them and then backed them with some gold metallic textured cardstock with a nice weight. That makes the cardboard stiff enough to bind well.
The Budweisser six-pack is a lot more familiar to most people. Bud is one of our best sellers (and this one is a slight cheat since it's from a 12-pack, not a six). I lined the trimmed cardboard with more of the heavy metallic-finish card stock, in silver.
The pages for both books are a camel-colored text weight paper folded into signatures. I bound the Alaskan Amber book with red waxed cotton thread. For the Bud journal, I used doubled thread, one strand of red and one of black.
Nifty little journals. And two more down.
The Alaskan Amber journal was actually the first beer six-pack book I made. I loved the ship graphic (an ice cutter, I assume) and the bright red background. I cut the largest part of the six-pack, the front and back panels, trimmed them and then backed them with some gold metallic textured cardstock with a nice weight. That makes the cardboard stiff enough to bind well.
The Budweisser six-pack is a lot more familiar to most people. Bud is one of our best sellers (and this one is a slight cheat since it's from a 12-pack, not a six). I lined the trimmed cardboard with more of the heavy metallic-finish card stock, in silver.
The pages for both books are a camel-colored text weight paper folded into signatures. I bound the Alaskan Amber book with red waxed cotton thread. For the Bud journal, I used doubled thread, one strand of red and one of black.
Nifty little journals. And two more down.
Tuesday, January 24, 2012
Book 340 - Colored & Textured Amate Paper Guest Book - Blank Book - Japanese Stab Binding
I always love using amate paper, the bark paper made in Mexico. It can be picky, because it often cracks if you crease it, but I love the look and feel of it.
The piece I used for the cover of this guest book-journal was textured/sculpted into a design while the bark was still wet. Then, when it dried to form, it was painted with natural pigments. I bought this paper in San Miguel de Allende, Mexico last year.
For the back of the book, I used another piece of amate paper in a light color.
The guest book's pages are 80 lb cream-colored paper with a slight fleck. The top and bottom edges of the pages are hand torn for a more natural look.
The binding is a Japanese stab binding done with two colors of waxed cotton thread. At the top, I left the threads hanging and tied on two cylindrical carved bone buttons. I think they are the perfect complement to the paper.
I will always be looking for ways to use this luscious bark paper. It takes me back to Mexico and gives anything I make with it a rich, rustic, earthy feel.
The piece I used for the cover of this guest book-journal was textured/sculpted into a design while the bark was still wet. Then, when it dried to form, it was painted with natural pigments. I bought this paper in San Miguel de Allende, Mexico last year.
For the back of the book, I used another piece of amate paper in a light color.
The guest book's pages are 80 lb cream-colored paper with a slight fleck. The top and bottom edges of the pages are hand torn for a more natural look.
The binding is a Japanese stab binding done with two colors of waxed cotton thread. At the top, I left the threads hanging and tied on two cylindrical carved bone buttons. I think they are the perfect complement to the paper.
I will always be looking for ways to use this luscious bark paper. It takes me back to Mexico and gives anything I make with it a rich, rustic, earthy feel.
Books 337-339 - Six Pack Series - First Inning - "Blue Moon"
Beer books! Or at least, beer (and other) six-pack books. More of my infamous recycled packaging.
We recently started selling beer in our store. One day, while taking bottles out of six packs to put in the color for individual sale, I noticed how many of the six pack holders had really cool graphics. And in the final sprint to get the last of my 365 books finished and posted, I needed ideas quick. So I started cutting.
This is the first posting in a series of books with various types of bindings I've been making the last couple of weeks--all from six pack containers (well, one is from a 12-pack, but who's quibbling?).
Today's entries are all from a single six-pack of Blue Moon beer, a Belgian White Wheat Ale.
The first book used the large flat front and back of the six-pack. It's a blank journal bound with a single needle coptic stitch. I backed the covers with blue metallic-finish textured card stock. For the stitching, I used a double strand of waxed cotton threads in two shades of blue for extra interest at the spine.
The second book, a mini-jotter notebook, is the same structure as the first but much smaller. It's made from the two small panels that come together at the side of the six pack. It is stitched with dark blue waxed cotton thread in a single-needle coptic binding.
Finally, I used the two small panels from the other side of the six pack to make a French door book. It's actually two small coptic-bound books stitch to a single back made of chip board and lined with metallic card stock. The "French door" opens to reveal two little notebooks side by side, opening in opposite directions, one stitched on the left, the other on the right. Hard to explain, easy to see in the photos. The book closes at the front with a chain-stitch cord that wraps around a square opalescent bead.
This series makes me think of Victor Hugo. Whenever he started writing a new book, he always bought a new bottle of ink. When he finished writing "Les Miserables," the bottle of ink he'd bought at the beginning was empty. He told his wife he should name the book, "What There is in a Bottle of Ink."
So I guess today's post is "What There is in a Six-Pack of Beer."
We recently started selling beer in our store. One day, while taking bottles out of six packs to put in the color for individual sale, I noticed how many of the six pack holders had really cool graphics. And in the final sprint to get the last of my 365 books finished and posted, I needed ideas quick. So I started cutting.
This is the first posting in a series of books with various types of bindings I've been making the last couple of weeks--all from six pack containers (well, one is from a 12-pack, but who's quibbling?).
Today's entries are all from a single six-pack of Blue Moon beer, a Belgian White Wheat Ale.
The first book used the large flat front and back of the six-pack. It's a blank journal bound with a single needle coptic stitch. I backed the covers with blue metallic-finish textured card stock. For the stitching, I used a double strand of waxed cotton threads in two shades of blue for extra interest at the spine.
The second book, a mini-jotter notebook, is the same structure as the first but much smaller. It's made from the two small panels that come together at the side of the six pack. It is stitched with dark blue waxed cotton thread in a single-needle coptic binding.
Finally, I used the two small panels from the other side of the six pack to make a French door book. It's actually two small coptic-bound books stitch to a single back made of chip board and lined with metallic card stock. The "French door" opens to reveal two little notebooks side by side, opening in opposite directions, one stitched on the left, the other on the right. Hard to explain, easy to see in the photos. The book closes at the front with a chain-stitch cord that wraps around a square opalescent bead.
This series makes me think of Victor Hugo. Whenever he started writing a new book, he always bought a new bottle of ink. When he finished writing "Les Miserables," the bottle of ink he'd bought at the beginning was empty. He told his wife he should name the book, "What There is in a Bottle of Ink."
So I guess today's post is "What There is in a Six-Pack of Beer."
Labels:
365,
artist book,
beer journal,
blank book,
book a day,
book arts,
hand bound,
handmade book recessed skewer binding,
jotter,
journal,
notebook,
recycled packaging,
single needle coptic stitch
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