Recycling 'R' Us - Here's a piece cut from a box that held a dozen pouches of Top brand rolling tobacco.
I cut the pieces and backed them with some colored stiff black card stock. I scored the front cover well with the point of a bone folder to create a hinge for the Japanese stab binding/side binding. After cutting white text paper to size and punching the stitching station holes, I bound the little notebook/jotter in a cross stitch pattern with narrow red ribbon.
It's a silly little thing, but it would be a handy quick jotter to carry in a purse or pocket, good for jotting down shopping lists, phone numbers and random ideas you don't want to escape.
And it counts as a book for a day.
I'm Donna Meyer and this is a Daily Journal of a Challenge: to make a book a day for a year, to stretch my imagination, creativity, skills and discipline. Inspired by Noah Scalin's Skull-a-Day. Why books? A book can be made of almost anything, and I can stretch its definition. Some will be fancy, skilled and take time. Others will be quick-&-dirty, maybe just images, or ephemeral, disappearing books. Follow along. We'll discover together how to create a book a day for 365 days.
A Book a Day? What's Up With That?
Hi, and welcome to this year-long project. So what's this all about and how did it happen, you might ask. In mid 2007, artist Noah Scalin decided to make a skull out of anything he could find, every day for a year. It stretched him in ways he never imagined, as an artist, a writer and a person. His experience turned into a blog that went viral, and then a book.
Others have picked up on the idea: 365 Hearts, 365 Masks, 365 Bears drawn on a cellphone, 365 paper napkin mustaches.
I wanted to play, too, and I chose books. I love books, I know a bit about making books (thanks to my talented book-maker sister, Marilyn Worrix), and they're broad enough in definition to give me a lot of creative leeway.
The whole point is not really the books. The idea is to stretch myself in many ways as an artist and a person, to set up a discipline, stick with it and see what that teaches me.
I hope you'll join with me and follow along on the journey chronicled here, and let me know what you think.
Showing posts with label hand made paper. Show all posts
Showing posts with label hand made paper. Show all posts
Monday, January 2, 2012
Monday, October 24, 2011
Books 251 & 252 - Amate Paper Mini-Journals w/ Banana Paper Pages - Long-Stitch Binding
Here's a pair of little mini-journals with hidden long-stitch bindings. I made one yesterday and liked it so much I made another one today--same cover paper, different color and lining.
I love amate paper, the Mexican paper that is made from pounded tree bark. I bought quite a lot of it when I was in Mexico in May--took up half my suitcase getting it home. I love the swirling look and the feel of it. The covers of these journals feature two different colors of amate paper--one dark brown and one light natural. Though it is thick, amate can be a bit fragile, especially when folded, so I knew I was going to have to reinforce it at any folds. I used strips of heavy cardstock to reinforce the spines, and also covered the spines after stitching, creating a hidden long stitch binding.
The dark book has darker brown lokta paper on the spine and fore edge and light hand-made paper as the inner liner. The lighter book has the same dark brown lokta paper on the spine and fore edge as well as inside for the liner. I love using lokta paper. Despite the fact that it is lightweight, it is quite strong. It is also very flexible, handling almost more like fabric than paper.
I wrapped the cover over the fore edge to the front so I needed a closure. I used dots of adhesive Velcro. I would have preferred to use brown but didn't have any. I may go back over these with a brown marker so they don't stand out quite so starkly.
These little journals measure 4" x 5 1/4" and are approx 3/8" thick. The pages are a wonderful natural banana paper that makes a perfect complement to the amate covers.
Quite a nice little pair, I think.
I love amate paper, the Mexican paper that is made from pounded tree bark. I bought quite a lot of it when I was in Mexico in May--took up half my suitcase getting it home. I love the swirling look and the feel of it. The covers of these journals feature two different colors of amate paper--one dark brown and one light natural. Though it is thick, amate can be a bit fragile, especially when folded, so I knew I was going to have to reinforce it at any folds. I used strips of heavy cardstock to reinforce the spines, and also covered the spines after stitching, creating a hidden long stitch binding.
The dark book has darker brown lokta paper on the spine and fore edge and light hand-made paper as the inner liner. The lighter book has the same dark brown lokta paper on the spine and fore edge as well as inside for the liner. I love using lokta paper. Despite the fact that it is lightweight, it is quite strong. It is also very flexible, handling almost more like fabric than paper.
I wrapped the cover over the fore edge to the front so I needed a closure. I used dots of adhesive Velcro. I would have preferred to use brown but didn't have any. I may go back over these with a brown marker so they don't stand out quite so starkly.
These little journals measure 4" x 5 1/4" and are approx 3/8" thick. The pages are a wonderful natural banana paper that makes a perfect complement to the amate covers.
Quite a nice little pair, I think.
Sunday, September 18, 2011
Book 221-Heavy Hand-Made Grass Paper journal - Double Needle Coptic Binding
When I found this very heavy hand-made grass paper in Marilyn's studio I could not resist it. I wanted a very rustic looking journal, so I started pawing through the stacks of paper looking for something equally wonderful for the pages. I found some sheets of deeply textured but still light white hand-made paper that was perfect. It felt positively cottony.
I tore the pages to size and smoothed them hard with the bone folder to flatten a bit of the texture. I wanted a thick book, and by the time I had enough pages, the book was "spongy" from the springiness of the paper. I knew the covers would need some reinforcement to hold up to the pages. So I cut some pieces of chip board and lined them, then covered the lining with pieces of burnt orange unryu paper, also hand-torn to maintain the rough edges of the covers.
The binding is a double-needle coptic stitch with black waxed linen thread.
The sponginess of the thick book block still kept the book from lying closed so I needed some kind of a wrap or closure, I used the same waxed linen thread to make a looped cord to wrap around the book and then around a carved bone button that looks like a wheat sheaf. I think it's the perfect accent for the grassiness of the thick cover paper.
The book is small, only 3" X 4" but a full 1 1/2" thick. It feels wonderful to hold, very lightweight yet substantial at the same time, with that delightful cushiness when you squeeze it shut.
Just yummy paper.
I tore the pages to size and smoothed them hard with the bone folder to flatten a bit of the texture. I wanted a thick book, and by the time I had enough pages, the book was "spongy" from the springiness of the paper. I knew the covers would need some reinforcement to hold up to the pages. So I cut some pieces of chip board and lined them, then covered the lining with pieces of burnt orange unryu paper, also hand-torn to maintain the rough edges of the covers.
The binding is a double-needle coptic stitch with black waxed linen thread.
The sponginess of the thick book block still kept the book from lying closed so I needed some kind of a wrap or closure, I used the same waxed linen thread to make a looped cord to wrap around the book and then around a carved bone button that looks like a wheat sheaf. I think it's the perfect accent for the grassiness of the thick cover paper.
The book is small, only 3" X 4" but a full 1 1/2" thick. It feels wonderful to hold, very lightweight yet substantial at the same time, with that delightful cushiness when you squeeze it shut.
Just yummy paper.
Labels:
365,
artist book,
blank book,
book a day,
book arts,
chain stitch binding,
coptic binding,
double needle coptic stitch,
fat journal,
hand made paper,
hand bound,
hand made book,
journal,
mini-journal
Monday, September 5, 2011
Book 213 - A Pamphlet Stitch Journal/Blank Book/Guest Book with Olive Branch
I'm excited right now because this pretty pamphlet stitch journal made with hand-made paper and Mexican amate paper cover is the first book I've made at my brand new workbench! Solid oak, just the right height, 4 drawers, a shelf for large paper. I love it! I've had it for a while, but it's been in a very large box waiting for me to make room for it. Today I did and tonight Allen and I put it together.
I felt so good standing there being able to simply reach for any tool I needed and it was right there, available! No digging in boxes looking for it. What a concept!
OK, enough about the workbench. The book is nice too. This is almost an exact replica of a book a friend used as a guest book/good wishes book for a party she threw for me several years ago. Everyone wrote lovely thoughts in it and I still have it. This book is a very simple structure. The lusciousness of it is all about the paper. The pages are a thick, wonderful hand-made paper with leaf inclusions. It's hard to photograph the texture, but it is really yummy. The cover is a piece of wonderfully swirly Mexican amate bark paper I brought back from San Miguel. The binding is a simple pamphlet stitch with the addition of wrapping the stitching around a small branch from our olive tree at the spine. I used deep red embroidery cotton, left a longish tail at the top and threaded on a pale red bone bead as an accent.
This would make such a pretty guest book on a hall table for all your visitors to sign.
I felt so good standing there being able to simply reach for any tool I needed and it was right there, available! No digging in boxes looking for it. What a concept!
OK, enough about the workbench. The book is nice too. This is almost an exact replica of a book a friend used as a guest book/good wishes book for a party she threw for me several years ago. Everyone wrote lovely thoughts in it and I still have it. This book is a very simple structure. The lusciousness of it is all about the paper. The pages are a thick, wonderful hand-made paper with leaf inclusions. It's hard to photograph the texture, but it is really yummy. The cover is a piece of wonderfully swirly Mexican amate bark paper I brought back from San Miguel. The binding is a simple pamphlet stitch with the addition of wrapping the stitching around a small branch from our olive tree at the spine. I used deep red embroidery cotton, left a longish tail at the top and threaded on a pale red bone bead as an accent.
This would make such a pretty guest book on a hall table for all your visitors to sign.
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